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In
his first RM interview for two years, Morrissey talks to Eleanor
Levy about the Kray Twins, the Smiths, and what it's like living down
the road from Bryan Robson.
Photos: Lawrence Watson
Hair by Stephen Powner
Morrissey
puts his hand to his stomach, scrunches up his eyes in mock pain and
-- as genteely as such things can be -- burps.
"Oh, excuse me," he apologises.
A green bottle of Perrier water stands guiltily on the table between
us, its former contents going down as well with the Morrissey digestive
system as much of the great man's more inspired verbal moments have
gone down with the musical establishment.
The Morrissey of 1989 is a very different figure from the one who first
waved a bunch of gladioli around a Manchester concert hall. The pink
and white striped shirt is crisp (and tucked in), the jeans are spotless,
the shoes and hair gleam with newly accumulated prosperity. But as the
ultimately tasteless mineral water is put to one side and the Mozz pours
a comforting cup of quickly ordered tea, it's good to see that fine
old traditions will always win out in the end.
The Smiths may be no more, Morrissey may well have, in his own words,
"recently become extremely wealthy", but the funny, infuriating,
brilliant, arrogant yet self-deprecating, Morrissey we've always known
refuses to go away.
With the release of his finest solo offering to date in 'The Last Of
The Famous International Playboys', it's comforting to know that in
the supermarket shopping list of pop, the brand name Morrissey is still
as dependable as ever.
QUESTION
TIME
Why does 'The Last Of The Famous International Playboys' mention the
Kray Twins? It seems strange that you should feature such obviously
southern 'heroes' in a song?
"Yes well, they are known in the north, you know. We do have television
now, although there's a slight shadow on the commercials."
What
was it about them that fascinated you?
"The level of notoriety that surrounded them -- the level of fame
they gained from being unreachably notorious. When you reach that stage,
you are admired."
And it doesn't matter what you've done?
"Well, no. The worse the merrier. There's a certain sense
of glamour attached to being a notorious media figure... as I obviously
know from experience!
"Some people have such an immense physical and clinical need for fame
and attention they'll do almost anything. Of course, if the law was
such that we paid no attention whatsoever to mass murderers or great
train robbers these people would be less inclined to put themselves
out. Unfortunately, do a dirty deed and, hey presto... 'News At Ten'."
Do you find it riveting?
"Do I? No, I don't but the media seem to; they seem to quite enjoy
it and they seem to enjoy it more if the attack's been upon women, particularly
young women."
The sleeve of the single shows you at six years old -- up a tree. Have
you changed much since then?
"Well, I have a new sweater."
What were your hopes and expectations at that age?
"I didn't have any, I knew it was too late. That's why I was climbing
that tree."
HISTORY
TREE
Do you crave a number one single?
"Well, I'll survive without one. It's really the only thing left
that I haven't achieved. But it isn't crucial. So many fools get to
number one it's hard to consider the position to be totally holy. But
it would be quite nice."
There's been along running debate in rm's Letters page between fans
of the Smiths and followers of...
"Stock, Face-ache and Waterbed. Yes, I did see it."
It seems you are seen as one end of the musical spectrum and they at
the other.
"Well, I tended to agree with the readers who didn't support Stock,
Face-ache and Waterbed, who I obviously scratch my head at.
"It's comforting, though, for the Smiths to be considered as part of
British pop history already."
Is it enough?
"Not entirely, not entirely enough."
What would be enough?
"That's a very loaded question. What is enough? I think --
and this may sound odd -- it will be on the day when I have powerful,
serious contemporaries and it looks as though I'm finally being usurped,
which some people think has already happened, although I don't.
It's about time somebody else came along. Somebody should have replaced
the Smiths; somebody should have replaced me."
People are desperately looking for someone.
"Yes, but can you replace Stan Laurel? Can you replace Judy Garland?
Can you replace Shirley Bassey? Can you replace Mrs Mangel? The list
goes on...
"I don't say I'd like to be replaced, but it's important for the evolution
of pop music that there are constantly changing voices. But they're
nowhere to be seen; they're not coming and they couldn't possibly be
further away than they are today."
PLAY
TIME
Is it true you're a closet Manchester United fan?
"It's a much guarded secret but yes, I do like football. To watch
and follow, I don't spectate. I don't have the scarf, I don't have the
hat...
"It's a very easy way to escape mentally -- it's light entertainment.
I can just put on the television, watch a game of football, get the
cans out and drift."
Have you ever dreamt of scoring the winning goal at Wembley?
"Well, I suppose, in a sense I have. I can certainly get irate if
somebody takes the wrong turning. Bryan Robson is impressive. And he
lives quite near me. And there are sightings..."
What do you think of Paul Gascoigne?
"Well, he could do with a hair cut."
At least he's not Chris Waddle.
"Well, there's only one Chris Waddle..."
SHOW
TIME
What was it like playing live again when you appeared in Wolverhampton
in December?
"It was nice. I did enjoy it. It was nice to be fondled."
Was it good to be back on stage?
"No, it was just nice to be fondled.
"I was a bit wobbly. I thought that as I was walking on stage I'd change
direction, but I didn't. It was great to be back in the natural habitat."
How did it feel with Andy Rourke, Mike Joyce and Craig Gannon backing
you?
"Very tearful. There was a radiant feeling on stage. You knew where
everybody was and who they were, which was astonishingly good. It was
a really comfortable feeling. No, comfortable sounds like an old cardigan...
but it was nice."
In an interview last year you said you hadn't heard from them since
the Smiths split. You seemed bitter and hurt...
"Well, I did feel a little upset but that has passed now."
How did you get back in touch?
"Quite craftily. I asked somebody else to phone Mike, Andy and Craig
to see if they'd be interested. If I'd have done it and they'd said
no it would have been like a hammer blow."
So are the Smiths dead?
"Well, they don't exist anymore. Did you know that? Well, the Smiths
don't exist so, I suppose, in a round about way, that does mean they're
dead. How can they be alive?"
You seem to be saying you'd still like to be the Smiths...
"Well, I thought of the name and I thought it got better as time
went by -- the bigger the Smiths became, the funnier the name was.
"So yes, when Johnny left I wanted to continue with the name but contractually
it would have to have been agreed by both of us, and he did not agree."
Have you had any contact with Johnny since the split?
"I haven't seen him since we were in the studio doing a song called
'I Keep Mine Hidden'. So that's 22 months ago."
Do you miss him?
"Um..." (long pause) "look, you can see the Pennines from
this window..."
CARTOON
TIME
Would you say your eyebrows are your
most recognisable feature?
"Oh, they're almost Dennis Healey proportions, really."
They don't curl up at the ends, though.
"They don't. They're very well-behaved. They do exactly what I tell
them to do."
When people draw cartoons of you, they pick up on two things -- your
eyebrows and your chin.
"Well, the chin... The chin usually takes up half the page. And that
Desperate Dan stubble! I mean, I might have five o'clock shadow but
I never have stubble.
"But yes, my chin is definitely centre stage. It makes me very self-conscious
of this great big piece of furniture stuck on the lower half of my mouth.
I'm not Bruce Forsyth by any means, though."
Who would play you in a bio pic of your life?
"Who would play me? What a great question. Who could possibly do
it? Who do you think?"
Perhaps Matt Dillon could look like you if he tried.
"But he's American! Do you think he could? Physically, I suppose...
with Sir John Gielgud's voice... or Dandy Nichols'... Is Clive Dunn
still alive? That's the question."
TEA
TIME
If you could give your name to an inanimate object that would forever
bear the tag 'Morrissey', like Lord Sandwich did for two slices of bread
or the Duke of Wellington for the boot, what would it be?
"It would have to be something tasteful. I've seen my picture in
a great deal of hairdressers. It would be nice to be noted for a particularly
identifiable style. No, that's too easy. Tea, perhaps. Yes, that would
be nice. Morrissey tea."
Finally, if someone from the past was told that in the 1980s there'd
be this bloke called Morrissey who went on the telly with a hearing
aid, a bunch of flowers, an old man's cardi, flapping his arms about...
and would get in the top 10, they'd think a) you were mad and b) that
it would be impossible -- wouldn't they?
"Well, it is for anybody else. If you were to put on an old
man's cardigan, as you call it, and a hearing aid, you probably wouldn't
get in the top 10. It's a gigantic fluke of nature, that's all I can
say... and let's leave it at that!"
This
article was originally published in the February 11, 1989 issue of
Record Mirror.
Reprinted without permission for personal use only.
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